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📘English Literature – 1670 to 1850 Unit 10 Review

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10.1 Origins and characteristics of Gothic fiction

📘English Literature – 1670 to 1850
Unit 10 Review

10.1 Origins and characteristics of Gothic fiction

Written by the Fiveable Content Team • Last updated September 2025
Written by the Fiveable Content Team • Last updated September 2025
📘English Literature – 1670 to 1850
Unit & Topic Study Guides

Gothic fiction emerged in the late 18th century, reacting against Enlightenment rationalism. It reflected a growing fascination with the irrational, supernatural, and mysterious, drawing inspiration from medieval architecture, folklore, and superstitions.

The genre established key elements like atmospheric settings, stock characters, and supernatural themes. It challenged rationalism, subverted social order, and explored psychological depths, creating intense emotional responses in readers and addressing universal psychological concerns.

Gothic Fiction's Historical Context

Cultural and Literary Influences

  • Gothic genre emerged in late 18th century reacted against Enlightenment rationalism reflected growing fascination with irrational, supernatural, and mysterious
  • Romantic movement emphasized emotion, imagination, and sublime provided fertile ground for Gothic literature development
  • Drew inspiration from medieval architecture, folklore, and superstitions incorporated elements of past into contemporary settings
  • Reflected and contributed to 18th-century fascination with picturesque and sublime in art and literature theorized by Edmund Burke
  • Horace Walpole's "The Castle of Otranto" (1764) established many key genre elements inspired subsequent authors (Ann Radcliffe, Matthew Lewis)

Sociopolitical Context

  • Coincided with significant social and political upheavals contributed to sense of uncertainty and anxiety in society
  • French Revolution (1789-1799) challenged established social order and monarchy
  • Industrial Revolution (began mid-18th century) transformed economic and social landscape
  • Changing reading habits and growth of publishing industry made novels more accessible to wider audience (circulating libraries, cheaper printing methods)

Gothic Genre Conventions

Setting and Atmosphere

  • Featured atmospheric settings served as characters in their own right
  • Haunted castles (Otranto Castle in Walpole's novel)
  • Remote monasteries (St. Clare's in Lewis's "The Monk")
  • Gloomy mansions (Thornfield Hall in Charlotte Brontë's "Jane Eyre")
  • Employed specific literary techniques created suspense and terror
  • Foreshadowing (mysterious sounds, ominous weather)
  • Dramatic irony (reader knows more than characters)
  • Use of sublime and uncanny (vast landscapes, familiar made strange)

Narrative Structure and Characters

  • Employed framed story structure with multiple narrators or embedded tales created layers of mystery and unreliability
  • Example: Mary Shelley's "Frankenstein" uses letters, multiple narrators, and embedded stories
  • Stock characters included:
  • Tyrannical villain (Manfred in "The Castle of Otranto")
  • Persecuted heroine (Emily in Ann Radcliffe's "The Mysteries of Udolpho")
  • Brooding hero (Heathcliff in Emily Brontë's "Wuthering Heights")
  • Helper figures such as servants or confidants (Nelly Dean in "Wuthering Heights")

Themes and Supernatural Elements

  • Plot often revolved around dark family secrets, forbidden desires, and uncovering past transgressions haunted the present
  • Incorporated supernatural or seemingly supernatural elements
  • Ghosts (The Bleeding Nun in Matthew Lewis's "The Monk")
  • Monsters (Frankenstein's creature)
  • Curses (The curse on the Usher family in Edgar Allan Poe's "The Fall of the House of Usher")
  • Unexplained phenomena (mysterious sounds, moving objects)
  • Explored themes of transgression, isolation, madness, and blurring boundaries between reality and supernatural

Gothic Fiction vs Enlightenment

Challenging Rationalism

  • Challenged Enlightenment's emphasis on reason and rationality by exploring irrational, emotional, and supernatural aspects of human experience
  • Critiqued idea of scientific progress by presenting scenarios where technology or scientific pursuits led to disastrous outcomes
  • Example: Victor Frankenstein's creation of the monster in "Frankenstein"
  • Exploration of psychological depth and inner turmoil in Gothic characters contrasted with Enlightenment focus on external behavior and social norms

Subverting Social Order

  • Frequently subverted Enlightenment notions of social order and hierarchy
  • Featured overthrow of patriarchal authority (Manfred's downfall in "The Castle of Otranto")
  • Revealed corruption in institutions (The Catholic Church in "The Monk")
  • Presented more complex view of human nature than Enlightenment philosophy explored potential for both good and evil within individuals
  • Example: Dr. Jekyll and Mr. Hyde in Robert Louis Stevenson's novella

Embracing Romanticism

  • Gothic fiction's emphasis on power of imagination and emotion aligned with Romantic ideals emerged as reaction to Enlightenment rationalism
  • Fascination with past and supernatural challenged Enlightenment's focus on progress and empirical knowledge
  • Explored concepts of the sublime and picturesque in nature and art (ruined castles, stormy landscapes)

Gothic Literature's Psychological Impact

Emotional Responses

  • Evoked range of intense emotions in readers
  • Fear (supernatural encounters)
  • Anxiety (suspenseful plot twists)
  • Suspense (mysterious events unfolding)
  • Sense of uncanny or unfamiliar (familiar settings made strange)
  • Use of atmospheric settings and suspenseful narratives created state of heightened arousal in readers similar to physiological effects of fear
  • Increased heart rate, sweating, heightened awareness

Psychological Exploration

  • Explored taboo subjects and repressed desires allowed readers to confront and process psychological conflicts in safe, fictional context
  • Incest (Byron's "Manfred")
  • Sexual desire (Lucy Westenra in Bram Stoker's "Dracula")
  • Employed psychological projection where characters' inner fears and desires manifested in external supernatural phenomena resonated with readers' own psychological experiences
  • Example: The ghostly apparitions in Henry James's "The Turn of the Screw"

Cognitive Engagement

  • Ambiguity and uncertainty present in many Gothic narratives challenged readers' perceptions of reality encouraged critical thinking about nature of truth and perception
  • Exploration of sublime, as theorized by Edmund Burke, induced feelings of awe, terror, and pleasure simultaneously in readers
  • Vast landscapes, powerful natural forces (storms, mountains)
  • Gothic literature's enduring popularity suggested ability to address universal psychological concerns provided catharsis for readers through exploration of dark themes and emotions