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๐ŸŽฅIntro to Film Theory Unit 5 Review

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5.1 Principles of narrative structure in film

๐ŸŽฅIntro to Film Theory
Unit 5 Review

5.1 Principles of narrative structure in film

Written by the Fiveable Content Team โ€ข Last updated September 2025
Written by the Fiveable Content Team โ€ข Last updated September 2025
๐ŸŽฅIntro to Film Theory
Unit & Topic Study Guides

Narrative structure forms the backbone of storytelling in film. From exposition to resolution, each element plays a crucial role in crafting engaging tales that captivate audiences. Understanding these fundamentals helps viewers appreciate the art of cinematic storytelling.

The three-act structure, conflict types, and plot vs. story distinctions are key concepts in film narratives. These tools allow filmmakers to create tension, develop characters, and manipulate time, resulting in diverse storytelling styles across genres and cinematic traditions.

Narrative Structure Fundamentals

Elements of narrative structure

  • Exposition introduces characters, setting, initial situation establishes tone and genre (Star Wars: A New Hope)
  • Rising action builds tension through series of events introduces conflicts and obstacles (Harry Potter series)
  • Climax marks turning point of story represents moment of highest tension or drama (The Dark Knight)
  • Falling action follows climax unfolds consequences of pivotal moment (The Lord of the Rings: Return of the King)
  • Resolution ties up loose ends presents final outcome of story (The Shawshank Redemption)

Three-act structure across genres

  • Act I: Setup establishes status quo introduces inciting incident (The Matrix)
  • Act II: Confrontation presents progressive complications includes midpoint reversal (Inception)
  • Act III: Resolution builds to climax concludes with denouement (The Sixth Sense)
  • Genre-specific applications:
    • Action escalates set pieces (Mission: Impossible franchise)
    • Romance evolves relationships (When Harry Met Sally)
    • Horror increases tension and reveals (The Conjuring)
  • Variations in styles:
    • Classical Hollywood narrative adheres to traditional structure (Casablanca)
    • European art cinema experiments with form (8ยฝ)
    • Non-linear narratives play with chronology (Pulp Fiction)

Conflict in narrative progression

  • Types of conflict:
    • Person vs person (The Godfather)
    • Person vs society (V for Vendetta)
    • Person vs nature (Cast Away)
    • Person vs self (Black Swan)
  • Function of conflict creates tension and suspense motivates character actions and decisions
  • Conflict escalation raises stakes throughout narrative introduces complications and obstacles
  • Resolution strategies:
    • Direct confrontation (Die Hard)
    • Compromise (12 Angry Men)
    • Character growth and change (Good Will Hunting)

Plot vs story in film

  • Story (Fabula) represents chronological sequence of events encompasses complete narrative content
  • Plot (Syuzhet) presents story to audience selects and arranges events
  • Narrative techniques:
    • Flashbacks and flash-forwards (Memento)
    • Parallel storylines (Babel)
    • Ellipsis for time jumps (2001: A Space Odyssey)
  • Point of view:
    • Narrator perspective shapes audience perception (Fight Club)
    • Unreliable narration challenges viewer's understanding (The Usual Suspects)
  • Temporal manipulation:
    • Linear vs non-linear storytelling affects pacing and revelation of information (Dunkirk)
    • Cause and effect relationships drive narrative logic (Inception)