Realism and Naturalism shook up 19th-century theater, bringing everyday life to the stage. These movements ditched fancy costumes and over-the-top acting for relatable characters and real-world problems.
Ibsen, Chekhov, and Strindberg led the charge, tackling social issues head-on. They created complex characters and used subtle dialogue, forever changing how we write and perform plays.
Realism vs Naturalism in Theatre
Defining Characteristics
- Realism represents life on stage accurately and objectively, focusing on everyday characters and situations
- Naturalism applies scientific principles and determinism to drama, emphasizing heredity and environment in shaping human behavior
- Realism presents a more selective and artistically composed version of reality
- Naturalism strives for a more unfiltered, "slice of life" representation
- Realism allows for some theatrical conventions in staging and performance
- Naturalism demands absolute authenticity in set design, costumes, and acting
- Realist plays explore social issues and moral dilemmas (A Doll's House by Ibsen)
- Naturalist works focus on darker aspects of human nature and societal problems (Miss Julie by Strindberg)
Language and Stylistic Differences
- Realist plays use more polished and structured language
- Naturalist dialogue replicates everyday speech patterns, including dialects and colloquialisms
- Realism emerged in mid-19th century as a reaction against Romanticism
- Naturalism developed later as an offshoot of Realism
- Naturalism influenced by scientific and philosophical ideas of late 19th century (Darwinism, social determinism)
Ibsen, Chekhov, and Strindberg's Contributions
Henrik Ibsen: Father of Realism
- Pioneered well-made play structure
- Introduced social criticism in works like A Doll's House and Ghosts
- Challenged societal norms and taboos (women's rights, venereal disease)
- Used retrospective exposition to reveal past events crucial to the plot
- Explored "life lie" concept where characters cling to false beliefs or illusions
- Influenced structure and themes of realistic drama
- Created complex, multi-dimensional characters (Nora in A Doll's House, Mrs. Alving in Ghosts)
Anton Chekhov: Master of Psychological Realism
- Refined psychological realism, focusing on subtle character interactions
- Explored poetry of everyday life in plays such as The Seagull and Uncle Vanya
- Innovated use of subtext to convey unspoken thoughts and emotions
- Developed "indirect action" technique where major events occur offstage
- Revolutionized dramatic writing and acting styles
- Created mood and atmosphere through detailed stage directions and pauses
- Influenced modern approaches to character development and dialogue (The Cherry Orchard)
August Strindberg: Naturalism and Beyond
- Experimented with both Naturalism and Expressionism
- Pushed boundaries of realism in works like Miss Julie
- Developed more symbolic style in later plays (A Dream Play)
- Introduced extreme psychological realism in naturalistic plays
- Explored themes of gender conflict and class struggle
- Contributed to development of complex, multi-dimensional characters
- Used symbolism within realistic settings (The Ghost Sonata)
Social and Political Themes in Realism and Naturalism
Gender and Class Issues
- Gender roles and women's rights prominently featured, especially in Ibsen's works
- Challenged societal expectations and advocated for female emancipation (A Doll's House)
- Class struggle and social inequality explored in depth, particularly in Strindberg's plays
- Highlighted tensions between different socioeconomic groups (Miss Julie)
- Conflict between individual desires and societal expectations as recurring theme
- Often led to tragic consequences for characters (Hedda Gabler by Ibsen)
Scientific and Psychological Influences
- Impact of heredity and environment on human behavior as key naturalistic theme
- Influenced by scientific theories of the time (Darwin's evolution, social Darwinism)
- Mental health and psychological trauma addressed, particularly in Chekhov's works
- Reflected growing interest in psychology and human psyche (The Seagull)
- Effects of industrialization and urbanization on society and individuals explored
- Mirrored rapid social changes of late 19th and early 20th centuries (The Cherry Orchard)
Critique of Social Institutions
- Corruption and hypocrisy in social institutions exposed
- Included marriage, religion, and politics as targets of critique
- Revealed flaws in established systems (Ghosts by Ibsen)
- Challenged audience to question societal norms and values
- Paved way for politically engaged theatre in 20th and 21st centuries
Lasting Impact of Realism and Naturalism
Influence on Modern Playwriting and Performance
- Emphasis on psychological depth and character development continues in contemporary playwriting
- Use of everyday language and colloquial dialogue now standard in modern dramatic writing
- Focus on social issues and critique of societal norms inspired politically engaged theatre
- Led to development of documentary drama in 20th and 21st centuries
- Realistic and naturalistic staging techniques still employed in many contemporary productions
- Includes use of detailed, authentic sets and props
Theatrical Concepts and Techniques
- Concept of "fourth wall" became fundamental aspect of modern theatre practice
- Creation of believable, immersive theatrical environment now standard
- Exploration of subtext and unspoken emotions significantly influenced modern acting approaches
- Particularly evident in interpretation of Chekhov's works
- Rejection of melodramatic and stylized performance favored more subtle, nuanced acting
- Became cornerstone of contemporary theatre training
Legacy in Subsequent Movements
- Integration of symbolism within realistic settings inspired later theatrical movements
- Influenced development of Expressionism and Absurdism
- Psychological realism paved way for techniques used in method acting
- Social critique in realistic plays influenced development of epic theatre (Bertolt Brecht)
- Naturalistic attention to detail inspired creation of hyper-realistic theatre in late 20th century