Active filters are the superheroes of signal processing. They use op-amps to boost performance, allowing for steeper roll-offs and higher Q factors than passive filters. Plus, they're easier to tweak and don't load down your circuit.
This section dives into different active filter designs like Sallen-Key and multiple feedback. You'll learn how to choose the right topology for your needs, whether you're building a low-pass filter for audio or a band-pass filter for wireless comms.
Filter Types
Low-Pass and High-Pass Filters
- Low-pass filter allows frequencies below cutoff frequency to pass through
- Attenuates higher frequencies
- Applications include audio systems, removing high-frequency noise
- Transfer function:
- High-pass filter permits frequencies above cutoff frequency to pass
- Blocks lower frequencies
- Used in audio crossovers, AC coupling circuits
- Transfer function:
- Cutoff frequency () determines filter behavior
- Calculated using resistor and capacitor values:
- Gain response varies with frequency
- Low-pass: -20 dB/decade slope above cutoff
- High-pass: -20 dB/decade slope below cutoff
Band-Pass and Band-Stop Filters
- Band-pass filter allows a specific range of frequencies to pass
- Combines low-pass and high-pass characteristics
- Used in wireless communications, audio equalization
- Transfer function:
- Band-stop filter (notch filter) attenuates a specific frequency range
- Blocks unwanted frequencies while allowing others to pass
- Applications include noise reduction, eliminating power line interference
- Transfer function:
- Center frequency () and bandwidth define filter response
- Center frequency:
- Bandwidth:
- Q factor influences filter selectivity
- Higher Q results in narrower bandwidth and steeper roll-off
Filter Characteristics
Filter Response Types
- Butterworth filter provides maximally flat passband response
- Smooth roll-off in stopband
- Moderate selectivity and phase response
- Transfer function:
- Chebyshev filter offers steeper roll-off but with passband ripple
- Type I: Ripple in passband, flat stopband
- Type II: Flat passband, ripple in stopband
- Improved selectivity compared to Butterworth
- Transfer function:
Filter Design Parameters
- Filter order determines roll-off rate and stopband attenuation
- Higher order increases slope steepness (n -20 dB/decade)
- Affects component count and circuit complexity
- Cutoff frequency marks -3 dB point in frequency response
- Defines boundary between passband and stopband
- Calculated using component values in active filter circuits
- Q factor measures filter's selectivity and bandwidth
- Higher Q results in sharper resonance peak
- Influences filter's transient response and ringing
- Calculated as:
Active Filter Topologies
Sallen-Key and Multiple Feedback Topologies
- Sallen-Key topology offers simple design and low component count
- Uses positive feedback for improved performance
- Can implement low-pass, high-pass, and band-pass filters
- Transfer function (low-pass):
- Multiple feedback topology provides high Q factors and gain
- Uses negative feedback for stability
- Suitable for band-pass and notch filter designs
- Transfer function (band-pass):
- Both topologies utilize operational amplifiers as active elements
- Op-amps provide gain and impedance buffering
- Enable higher Q factors compared to passive filters
Advanced Filter Structures
- State variable filter offers simultaneous low-pass, high-pass, and band-pass outputs
- Uses multiple op-amps for increased flexibility
- Allows independent control of Q and cutoff frequency
- Transfer function (band-pass):
- Biquad filter implements second-order transfer functions
- Cascadable for higher-order filters
- Provides low sensitivity to component variations
- Transfer function:
- Both structures offer improved performance and versatility
- Used in audio processing, instrumentation, and communications systems
- Allow realization of complex filter responses