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🎞️American Cinema – Before 1960 Unit 11 Review

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11.2 Strategies for Circumventing Censorship

🎞️American Cinema – Before 1960
Unit 11 Review

11.2 Strategies for Circumventing Censorship

Written by the Fiveable Content Team • Last updated September 2025
Written by the Fiveable Content Team • Last updated September 2025
🎞️American Cinema – Before 1960
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Hollywood filmmakers got creative to dodge the Hays Code's strict rules. They used clever tricks like symbolism, innuendo, and subtext to sneak in edgy content without getting caught. This led to some pretty ingenious storytelling techniques.

These strategies let directors tackle taboo subjects and push boundaries, even if they had to be subtle about it. Films like "Notorious" and "Some Like It Hot" managed to address controversial topics by hiding deeper meanings in plain sight.

Circumventing the Hays Code

Techniques for Navigating Restrictions

  • Filmmakers employed various techniques to circumvent the restrictions imposed by the Hays Code (1934-1968)
  • Use of symbolism, innuendo, and subtext conveyed controversial themes and ideas
  • Double entendres, or phrases with double meanings, suggested sexual or other taboo content without explicitly stating it
  • Visual metaphors and clever editing techniques implied content that could not be directly shown on screen
  • Filmmakers sometimes pushed the boundaries by including content that was technically allowed but still provocative or suggestive (suggestive dancing, revealing costumes)

Impact of the Hays Code on Filmmaking

  • The Hays Code, also known as the Motion Picture Production Code, was a set of industry guidelines for the self-censorship of content in American films
  • Filmmakers had to find creative ways to express their artistic vision while adhering to the Code's strict moral standards
  • The Code's restrictions led to the development of new storytelling techniques and a reliance on subtext and symbolism
  • Some filmmakers deliberately challenged the Code by including provocative content, hoping to push the boundaries of what was acceptable (Howard Hughes' "The Outlaw" (1943), Otto Preminger's "The Moon is Blue" (1953))

Symbolism and Subtext in Film

Conveying Meaning Through Symbolism

  • Symbolism involves the use of objects, colors, or other visual elements to represent abstract ideas or concepts
  • Allows filmmakers to convey deeper meanings without explicitly stating them
  • Examples of symbolic elements in films:
    • The use of shadows and lighting to represent moral ambiguity or danger (film noir)
    • The use of color to convey emotions or themes (red for passion, white for innocence)
    • The use of objects as metaphors for characters' internal states or conflicts (the birdcage in "Rebel Without a Cause" (1955))

Innuendo and Subtext

  • Innuendo refers to the use of indirect or suggestive language to imply something without directly stating it
  • Often used to hint at sexual or other taboo content (the "walls of Jericho" scene in "It Happened One Night" (1934))
  • Subtext is the underlying or implicit meaning in a film's dialogue, actions, or visual elements
  • Conveys themes or ideas that are not explicitly stated
  • Films such as Alfred Hitchcock's "Notorious" (1946) and Billy Wilder's "Some Like It Hot" (1959) effectively employed symbolism, innuendo, and subtext to address controversial subjects

Evolution of Censorship Strategies

Increasing Creativity in Circumventing Censorship

  • As the Hays Code was enforced more strictly in the late 1930s and 1940s, filmmakers had to become increasingly creative in their strategies
  • Filmmakers became more adept at using subtle techniques like symbolism and subtext to convey controversial ideas without drawing the attention of censors
  • The use of visual metaphors, clever editing, and suggestive dialogue became more sophisticated over time

Changing Attitudes and the Weakening of the Code

  • In the 1950s and 1960s, changing social attitudes and the weakening of the studio system led to a gradual relaxation of the Hays Code's enforcement
  • Filmmakers began pushing the boundaries more aggressively, including more explicit content and addressing taboo subjects more directly ("The Children's Hour" (1961), "Who's Afraid of Virginia Woolf?" (1966))
  • The decline of the Hays Code culminated in its abandonment in favor of the MPAA rating system in 1968

Effectiveness of Circumvention Strategies

Allowing Filmmakers to Address Taboo Subjects

  • The use of symbolism, innuendo, and subtext allowed filmmakers to address controversial themes and ideas in a way that was acceptable under the Hays Code
  • These strategies enabled the creation of complex, multi-layered works that could be interpreted on different levels, depending on the viewer's understanding of the subtext
  • Films like "Rebel Without a Cause" (1955) and "Psycho" (1960) dealt with sensitive topics like juvenile delinquency and sexual deviance through the use of subtext and symbolism

Limitations and Challenges

  • The effectiveness of these strategies was limited by the fact that they often required audiences to read between the lines and interpret the film's deeper meanings
  • Some viewers may have missed the subtextual elements, leading to a lack of clarity in addressing important social and political issues
  • The need to rely on subtle techniques sometimes led to a lack of directness in confronting controversial topics
  • Despite these limitations, the use of censorship circumvention strategies allowed filmmakers to create meaningful, thought-provoking works that pushed the boundaries of acceptability in American cinema during the era of the Hays Code